Brad said
By routing all the snare outputs to the bus and manipulating the bus fader the OP should be able to manage all the close snare mics with the bus fader. The only reason I mentioned using macros was in addition to the close mics, there could be several bleed sources that wouldn't be manipulated by using the bus fader AND I think macros are very cool and powerful. However, perhaps I was just over complicating things.
Brad said
By routing all the snare outputs to the bus and manipulating the bus fader the OP should be able to manage all the close snare mics with the bus fader. The only reason I mentioned using macros was in addition to the close mics, there could be several bleed sources that wouldn't be manipulated by using the bus fader AND I think macros are very cool and powerful. However, perhaps I was just over complicating things.
Yeah I hear ya on the extra bleed Brad. Maybe I could route all room mic outputs to a bus and control those separately? Thanks for the feedback.